For Bolton, healing from maternal narcissistic abuse is incomplete without coming to know the divine. Through a poetic contemplation of her own Hindu-Christian background, paired with an exploration of the spiritual rootlessness faced by children of narcissistic parents, she explores the idea that the damaged nervous systems of narcissistic abuse victims display a naturally poetic and biological response that corresponds to a certain early stage of divine experience. Ultimately, Bolton's concept of God, which permeates her poems, comes not from any one faith but from the traumatized brain's need to take a frightening, chaotic universe and find in it meaning, healing, and connection. Her debut collection of bite-sized, easily digestible poetry makes an artistic attempt to capture the complex-traumatized brain's reach towards divinity to heal and transform. Her collection gathers and expresses many notions of divine experience that will feel familiar and provide poetic comfort and hope to victims of psychological abuse of all kinds.
Elizabeth Bolton is a Toronto-based writer and teacher devoted to supporting victims of familial narcissistic abuse. She has a PhD in literacy education from the University of Toronto, a Multiple Subject California Teaching Credential, and a BA in classical languages from UC Berkeley. She is associate editor for the Hart House Review, a literary magazine on the University of Toronto campus. Coronation is her first full-length poetry collection.
“The beauty of Bolton’s poems does not come from avoiding the darker sides of life, but from putting it precisely at the center. With subtle precision, she embroiders a poetic world of a child’s fears, of abuse, and of broken trust—but also of the experience of healing and of divinity—that will reach for your heart to pull you in.”
—Eva Wissting, editor of Asymptote and Populär Poesi
“Coronation of the Cosmic Orphan proves the expansive beauty of contradiction as well as showing readers that there is an art in building whole worlds in simplicity. Bolton’s collection explores the complexity of faith, trauma, identity, politics, and art. A delightful read that also leaves the reader questioning the nuances of that delight. What a beautiful thing to feel seen and to be called in to question yourself all within the span of seventy-eight pages.”
—Bianca Alyssa Pérez, Texas State University