The Problem with The Dot

“Accessible, winsome, and rooted in on-the-ground experience, this book does nothing less than sketch out an entire ‘theatrical ecosystem’ informed by a vibrant scriptural imagination. A must-read for all who seek a generous vision for what has been a much-neglected art in the current theology and arts conversation.”


—Jeremy Begbie, Duke University





“I am thrilled this extraordinary resource exists. The Problem with the Dot is historical, futuristic, and theologically cogent. Most importantly to me, an actor in NYC, this book is creatively practical. It is a balm of affirmation to anyone who feels called to the theater and called to Christian faithfulness. It is also a loving challenge to those who have viewed theater as a spiritual enemy rather than a Divine tool.”


—Elizabeth A. Davis, actor and writer, Tony Award nominee for the musical Once





“Bruce has articulated something in these pages that those of us in the professional theater world who identify as Christian have been trying to communicate for years. From the headwaters to the clouds, he has painted a clear and detailed picture of the theatrical ecosystem and the role people of faith can play in shaping global culture through the arts. Whether you are a Christian, agnostic, atheist, theater enthusiast, theater professional, or theater novice, this book is for you.”


—Jake Speck, executive director of A.D. Players at the George Theater





“Bruce Long’s The Problem with the Dot succinctly and brilliantly outlines the structures upon which the American theater is built in a way that even someone who is completely unfamiliar with the theater business can understand. As an artist who works in the American theater, I also find the book creatively and spiritually inspiring. It reminds me of the sacredness of my calling and assures me that I am not alone in pursuing it.”


—Chris Cragin-Day, playwright