An Aesthetics of Barth and Cone on Revelation and Freedom
by Raymond Carr
Foreword by Willie James Jennings
$27.00
£22.00
AU$42.00
ISBN: 9781666745207
Pub Date: December 2024
Format: Paperback
Imprint: Cascade Books
This captivating study engages two of the most influential theologians of the twentieth century: Karl Barth, the Swiss Protestant theologian, who constructed his theology "from above" and engaged the...
An Aesthetics of Barth and Cone on Revelation and Freedom
by Raymond Carr
Foreword by Willie James Jennings
$29.00
£24.00
AU$45.00
ISBN: 9781532671531
Pub Date: December 2024
Format: Paperback
Imprint: Cascade Books
This captivating study engages two of the most influential theologians of the twentieth century: Karl Barth, the Swiss Protestant theologian, who constructed his theology "from above" and engaged the...
An Aesthetics of Barth and Cone on Revelation and Freedom
by Raymond Carr
Foreword by Willie James Jennings
$26.00
£21.00
AU$40.00
ISBN: 9781666745252
Pub Date: December 2024
Format: Paperback
Imprint: Cascade Books
This captivating study engages two of the most influential theologians of the twentieth century: Karl Barth, the Swiss Protestant theologian, who constructed his theology "from above" and engaged the...
A Primer on Theatre and Aesthetics explores the philosophy of arts from the Ancient Greeks to our contemporary world. What began as a debate in a monoculture eventually mushroomed into a vision for...
Towards the end of the twentieth century books proclaiming the "closing" of America's mind, the "collapse" of her communities, and the "end" of her art, literature, education and more, began appearing...
In critical yet appreciative dialogue with four different art critics who demonstrated theological sensitivities, Adam Edward Carnehl traces an ongoing religious conversation that ran through nineteenth-century aesthetics. In Carnehl's estimation, this critical conversation between the John Ruskin, Walter Pater, and Oscar Wilde, culminated in the brilliant approach of G. K. Chesterton, who began his journalistic career with a series of insightful works of art criticism. By conducting a close reading of these largely neglected works, Carnehl demonstrates that Chesterton developed a theological aesthetic that focuses us on the revelation of God's image in every human being. In Chesterton's eyes, only those made in God's image can produce images themselves, and only those who receive a revelation of truth are able to reveal truths for others. Art is therefore a rich and symbolic unveiling of the truth of humanity which finds its origin and purpose in God the Divine Artist.
Why would anyone want to watch horror movies? Why would Christians, in particular, bother with the genre? In Fear Not!, critic Josh Larsen makes the case that monster movies, creature features, slashers,...
Biblical Justice and the Hollywood Panic 1947–1955
by Daniel L. Smith-Christopher
$25.00
£22.00
AU$39.00
ISBN: 9781666706826
Pub Date: March 2022
Format: Paperback
Imprint: Cascade Books
Choosing ten films that were considered "suspicious," "un-American," or even "dangerous" by the conservative media, and especially the infamous "House Un-American Affairs Committee" (HUAC) between 1947-1953,...
In Tilt: Finding Christ in Culture, Brian Nixon takes the reader on a voyage of discovery, traveling the currents of God's presence in culture, summed up in four streams that define a noun: people,...
When God died, art was born. With Christ's crucifixion, resurrection, and ascension, the human imagination began to be remade. In Bezalel's Body: The Death of God and the Birth of Art, Harvard-trained...
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